The Yuletide Dragon

There is a dragon within the wind
whose bite cuts straight to the trembling bone,
and though no wounds remain aft to mend,
the bite lingers, still, like seeds deep sown.
The dragon seeks with its pallid eye
heartbeats by hearth, by fire, those warm lives
that flee from it as it roams nearby,
its keen unseen teeth like icy knives.

The backcloth sky is but harsh white wool
through which the bleak, blank sun often glows
cold, far-off, like a corpselight of Yule
when the biting air swells up and blows.
We are scorned by that distant-drawn sun
for yesterday’s oft ungrateful cheer,
our Summer arrogance now undone
by the Yule dragon’s icicle sneer.

Elder-aged, now, I lay all alone
in this Yuletide season of the cold
and try to sleep, but I toss and groan,
wondering how I became so old.
The dragon snorts, then groans, too, and sighs,
and licks at me through a frosted crack;
will I survive till the dragon dies,
just long enough for Spring to come back?

Death’s Indignity

This Winter passes on without a snow,
yet is cold as a corpse drained of its hues,
all is either black or brown or sallow;
a fell tumescence festers in its views.
Snowfall no longer drapes this scabrous land
like the white sheet spread with grief and pity,
nor is a shroud laid by a loving hand—
all is laid bare in Death’s indignity.

Duskdreams

I see it clear in my duskdreams,
a small house in a rural field,
gilt in Late Summer’s thinning beams;
atop rolling land, smoothly hilled.
There is no driveway to divide
the flowing billows of that place,
nor a house on any side;
nothing impugns that airy space.
A few trees may stand, here and there,
and creeks may trickle down below,
but that green-crested hill is bare
of all but the soft winds that blow.
A tomb-quiet cottage whereby
a man may retire in life’s Fall,
a refuge of silence where I
may enfold my heart, like a pall
and hear the voice of what may come,
that quiet herald of the dusk:
the shroud-shadows that may benumb
the mind and heart and earthly husk.
All around shall lay hills aflow
like the waves of a golden sea,
the descending hills all I’ll know
before the Winter comes for me.

Dedicated to Robert Frost

Last Day Of Summer

Kicking acorns as they run,
three barefoot boys in the woods;
the dawn gilded with the sun,
stretching shadows like the hoods
of Fae watchers between trees,
the Autumn leaves laid beneath
and, through the glade, the cold breeze
whispers of late Summer’s grief,
yet the children laugh and play
without worries from the wind;
before them lay a long day
and they cannot see its end.
The Winter waits like a hawk,
its talons sharp with its frets,
gripping youths until they squawk
and men aching with regrets.
But rousing by slow degrees,
the Winter remains aloof
and a boy never quite sees,
observing too late the truth
when Winter’s beak pecks between
his ribs with keen hunger pangs,
its wings outspread, and the sheen
of icicled overhangs.
No more barefooted dog-days
when the raptor reigns supreme,
hunting boys in bitter days—
Summer but a distant dream.

Take To Flight, February

Go! Leave! Take to flight, February,
for you linger overlong
with such a darksome mood, chill and airy
that sings too mournful a song.

The shortest among monthly brethren,
but not short enough, forsooth,
as we wait for the Spring to set in
and you cling by nail and tooth.

It’s true they stole from you a few days
to add to their collection,
but no one wants you here anyways,
and would rather you had none.

You are the Georgia of Winter days,
the state I hate driving through
on my way to the Gulf’s golden bays—
Florida without the view.

We are all tired of this bleak Winter
and its cold dark solemn hours
so we’ll be in the garden center,
looking at the Spring flowers.

Fix It Good

A winter sky like sheets of linen
lit by pallid, dimming candlelight,
the wooly clouds gauzy and thin when
the sun descends, a wan, whisk-whipped white
fractured by the barren, black branches
of the old crooked, wind-shaken oak
and the cold evening light that blanches
the distant knobs, while the wispy smoke
slithers serpentinely all across
fields jagged with broken stalks of corn
now harvested and sold at a loss
for those whose labors have thereby borne
but a decrepit bloodline and name,
and the colonial house of brick
standing upright, despite ancient shame
and the tottering wood, rick to rick—
bitter wormwood and ant-eaten oaks
which, when burned, burns also in its turn
the noses of those who gather close
by the hearth, husband and wife, who learn
of cold, silent days that lay between
man and woman and marriage ideals,
sitting in rockers to set a scene
of resentment…pride…contrary wills.
She, in bonnet and a homely frock,
and he, in coveralls and a cap,
both rocking, yet unwilling to talk—
as settled as the quilt on her lap.
A bitter winter crouches outside
like a demon haunting a doorstep
whose whispers come both cruel and snide
to chafe raw at their throats, like the strep;
an itch at first, then a burning pain,
like sharp caustic swirling in the throat,
blazing as a sharply bitter bane,
his voice as gruff as a billy goat.
“It’s a damn cold winter,” he remarks,
snorting, then hacking from the black smoke
pluming from the kindling as it sparks
to breathe a stuffy fragrance to choke
the stuffy room, and its occupants.
He frowns, staring at the sullen fire
as though one of his stamped documents
for a bank account soon to expire.
The backdoor bangs loudly down the hall
and a chilly breeze swirls its way through
like a lost dog returning at call
from an outing down the avenue.
“Damn that backdoor!” the old man exclaims,
glaring at his wife and at the door.
She’s hard of hearing, or so she claims,
and continues knitting, as before.
The door bangs and bangs, the wind blowing
past his neck, chill on his sallow skin;
and though the hearth is warmly glowing,
his bones are chilled as he thinks back when
they had first met, and he had fought hard
to win her heart from her first husband,
sneaking to this house, (snow in the yard),
and through the backdoor, where he was shunned
only once— never more—for he won
her while her first husband was away
each day for two months, dusk until dawn,
till she divorced and married—same day.
But her exhusband took it to heart
and the divorce knotted itself tight
around his neck. “Till death do us part.”
He hanged himself on their wedding night.
But how many men came here, calling,
when he, too, worked at the factory?
Adultery is not a small thing
done and then gone: it’s refractory.
Even now he wonders about men
who may have come in through that backdoor,
feeling cold as the ghosts all walk in
with the wintry breeze from the wild moor.
For a door could have opened again
on one of his own many workdays,
footprints covered in fresh white snow when
she succumbed to one more nymphal craze.
She was once a looker in her day,
but now—sixty-odd—she looks like most,
which is to say, wrinkled, fat, and gray:
old, old, old, soon to give up the ghost.
“I said you need to shut that back-door!”
he shouts at her, his red face a scowl.
She looks up at him from her frayed chore
while the December winds hiss and howl.
“If you’d fix it good,” she says, “you’d never
have to worry about that door none.”
Glowering, he thinks of how clever
women are— too clever to be done.
Meanwhile the demon is whispering,
its cold breath whirling within his ear,
telling him he reminds of a king
whose horned crown was but a cuckold’s fear,
for throughout his kingdom it was known
his wife had slept with many others,
and though he sat upon a great throne
his bed belonged to his wife’s lovers.
Grumbling, he rises up from his chair
and walks to the chilly old bedroom,
shuddering with the cold gusts of air
and contemplating the coming gloom.
He has always kept a pail of nails
and a hammer underneath the bed,
and as he recalls the sound of bells
at the church where they wished to be wed
he drives the point into stubborn wood
to nail shut that door against the air.
He says, “I’m goin’ to fix it good.”
and, hammer raised, walks toward her chair…

Frost

Pubescent Winter, crone daughter,
coming in dead of night to shine
like stars aglow on cold water
or the glint of a silver mine.

Frost, you blight the garden and crops
far worse than worms in leaf and root
with your cold white crystal caltrops
upon petal, stem, vine, and fruit.

But you kill, too, the worms in squirrels
and rabbits with your icy sting
so that while the frigid wind skirls
the family may eat till Spring.

A goddess takes and gives in turn—
beautiful, cruel, hoary and kind,
so cold that you can sometimes burn
as we leave Summer warmth behind.