Schopenhauer On The Shore

I saw Schopenhauer on the shore
kneeling down in the frothy brine,
grunting and groaning at a chore
in the shallows along the shoreline.

I ventured closer and heard him gloat,
though his face was twisted and wroth
as he clutched a man by the throat—
a statue of Buddha in the froth.

Arthur sneered into the Buddha’s face
and proclaimed, “Mein Lehrer ist tot!”
He then walked away from that place
while the wood idol began to rot.

The Gospel According To Isaac

And so it was that Isaac, bound alike a kernel in the shell,
yet being of thought and feeling bloomed, if confused,
was carried up the mountainside while the
empty sky reeled around with acute indifference,
and thus came he to know, in the flash
of a trembling knife, the descent of angels unseen
while that senile sire of his being,
that old man begetting all Mankind,
pledged his son deliriously to the vast Void waiting
to embrace us all, and heard he loud the
Silence
that can be heard unto all future days
by those fearless to hear while facing the
sacrificial altar of Life. And he came to know the woe
of Ishmael, but worse, for he was near to exile
not only from his home, but from Life itself,
sacrificed by he whose seed begot him,
a seed hereupon nipped afore it could
gain purchase as its own tree
to overshadow the tribes of Israel.
Yes,
upon the heady slopes of Mount Moriah
a father drew a feverish blade
to kill his son
at the behest of a voice only he could hear
and hereon the demons that would one day
build the Temple of Solomon
bethought themselves how they inhabited
the heads of Man as does vermin
the heartwood of the Cross
and knew they should never want.

Pearls Of Wisdom

Gautama sits in his golden cloister,
mouth shut like a tight, complacent oyster,
silent, his shiny pearls clamped in himself
like a greedy man hoarding his vast wealth.
But what does the Buddha know, anyway?
He was nigh-thirty on that fateful day
when he rode forth into his father’s realm
on a grand chariot, a crown his helm.
He saw suffering thitherto denied
unto him while he long sheltered inside
amidst the opulence of his palace,
his life a draught from the golden chalice.
The bitter dregs were apparent, at last,
though he was still blinded by his high caste.
He saw an old man, a sick man, the dead,
and an ascetic, and though highborn-bred
he still worried about himself, of course,
(not others), and he wondered if the source
for removing such pains was self-denial.
So he sat under a tree for a while,
forty-nine days, they claim, though I do doubt
he sat that long, for he was bound to spout
about how great he was, how he alone
would discover Moksha, all on his own,
and he had to expel his piss and poo
so his bowels could be enlightened, too.
Be that as it may, his lotus soon gaped
and he saw Nirvana when he escaped
from the world’s pains, yet returning to preach
to any poor peasant within his reach,
saying, “You, too, can escape rebirth’s wheel
if you would only submit, bow, and kneel
and deny yourself less than what you now own,
which is already little, and on loan,
but as a prince I can tell you the worth
of such possessions on this fickle earth.
Life is suffering! The world is a trap!
Deny yourself—drink the bodhi tree’s sap!”
Most people shrugged, or only rolled their eyes,
and continued their work, already wise
to the ways of the world, to the hard truths
the prince could not learn from beneath the roofs
of his palace, his birthright, his clam shell,
that privileged heaven devoid of hell.
And then he began to raise his temples,
spreading his message like pox-born pimples,
no doubt using his princely position
to thwart other ascetics, his mission
privileged by connections to the courts
throughout the land, favors, toady cohorts,
his franchise spreading like a fast-food chain
or death-cult concerned with its earthly reign.
But he let go of some earthly trifles,
like his wife and child, that which oft stifles
a cult leader when he wants a fresh start,
free from the past—pure in his holy heart.
But Gautama could not shake his wife loose,
for earthly bonds are stronger than the noose
and will follow a man into his grave,
yet he was, if anything, a shrewd knave,
and said that women could not be allowed,
and, thus, his wife was lost among the crowd.
But after many complaints from his aunt,
Siddhartha did, eventually, recant,
saying, “Women can be nuns, I suppose,
but you are lesser than monks, because bros
come before hoes, and so you must obey
the lowliest monk, and do what they say.”
Then Gautama’s cousin rose against him,
saying Gaut was corrupt, given to whim,
and partook of meat, despite Buddhist laws
stating beasts could not be slain just because
monks and nuns hankered for pork or for fowl,
but only incidentally, somehow.
(What a roundabout loophole to ensure
you could eat sentient life and remain pure!)
But this would be your undoing, buddha,
not unlike Nagas and the Garuda
as the bird stamps claws downward to pin them
as fangs bite upward to sting with venom.
For you, too, hankered for non-vegan food
and though you forbid harm to beasts, your mood
was for pork, which was brought to you forthwith—
you ate it without so much as a sniff
and thereafter fell quite ill, your belly
sloshing and tossing, your bowels smelly,
taken to the grave by a bit of pig,
which is ironic for someone so big
in the world’s pantheon of myths and gods,
your shadow looming large, against the odds,
since you were not meant to be a being
at all, nor ego, nor soul, but fleeing
matter, space, and time, freed from such rebirth
that continues to populate the earth.

But speak, buddha, and let us hear the clink
of the pearls, of what you happen to think
is best for us peasants beneath your throne—
tell us what you think, what you alone
discovered after leaving your shelter
and saw, at long last, the helter-skelter
of Life, of the world at large, and its woes;
tell us what it is, naif prince, you suppose
is the source of our suffering, tell us
what we already know, be not jealous
of your unique viewpoint, your perspective
on Life, the existential elective.
I should like to hear the clink of your pearls
when you speak and your lacquered tongue unfurls.

Envenomed

Black spiders dwelling in the dark,
weaving webs from their spinnerets—
unheard, unhurried, unseen…hark!
The bedposts are their minarets.
Hourglass upon fat-fed bellies,
crimson warning and silken spools,
their prey melted unto jellies,
kneeling husks becometh all fools.
Creeping midnight venom-vigils,
black prayers and turban-wound prey—
the adhan signal, the sigils
of an ancient faith here to stay.
The imams rub their steepled claws
in devotions to their venom,
hunger and death the only laws
that govern the soul within them.
And their congregation trembles,
the hollowed, hallowed husks bent low
on rugs beneath bedspread symbols—
what dreaded truths the husks must know!

“Things Happen For A Reason”

A young Australian girl reclines,
her legs dangling from the dock,
tacklebox, fishing poles, lines;
blind to the saltwater croc.
Her Sunday dress is pure white
like flowers before the Fall,
her hair modest and braids tight;
no ribbons or bows at all.
The girl hums a hymnal song,
lines drifting—not a quiver
to hint that something is wrong
within the silent river.
She hums a song about love
and the paradise that waits
after death, in realms “above”
such as the old Bible states.
She remembers her preacher
and a sermon last season
that was premised to teach her
“Things happen for a reason.”
He said, “Egypt’s children died
as proof of God’s great power.
Pharaoh Ramses could not hide
his child from that fateful hour.”
When she asked him how she might
avoid incurring God’s wrath,
he said, “Keep yourself pure white,
and stay on the righteous path.”
The croc springs up from beneath
like a devil from below;
she struggles, but the sharp teeth
clutch tight and do not let go.
She screams out to her father,
her mother, Jesus, her god,
but the sound drowns in water,
crying, helpless as she pawed
at the beast’s face, its wide snout,
slowing as she drowned slowly,
as she bled and faded out,
the death-roll now more holy
than any psalm or prayer
she could say in her defense
within Nature’s cruel lair—
no rhyme or reason or sense.

Washed Away

The tall preacher lays his palm upon the man’s forehead. With his other hand the preacher cradles the man’s nape. All around them the Snake River flows easily, aglitter in the dawn. The preacher speaks loudly, clearly, so that the rest of his followers may hear as they watch from the bank of the river.
“May yesterday’s sins be washed away in the blood of Jesus Christ.”
The man takes a deep breath and closes his eyes. The preacher lowers the man backwards into the gilded water, pausing a moment as the man disappears into the sky on the water, and then raises him, holding him steadily as the man breathes out and blinks rapidly into the bright light of a new day. His white long-johns are soaked through. Droplets of water stud him like diamonds.
“Thank you, preacher,” the man says.
“Thank the Lord, Billy,” the preacher says. His black robe is like a raven perched amidst the river. “Forgiveness is His alone.”
Billy nods and then crosses himself, trudging now to the bank of the river to join with the others, drying in the sun. He sits down, his mousy hair wet and lank. He smiles through his wet beard as if a boy again, and the rest of the followers return his smile with childlike joy.
The preacher looks upon them with the look of a shepherd for his sheep. Then, with a gesture, he invites the next member of his flock forward into the waters to be baptized for the new day of pious devotion.

The sun rises higher and the day grows hotter, dustier. The flock harvests the crops they grow near their settlement of tents and wagons and palisades. Some men go fishing for trout in the river to add to the evening’s meal. The preacher stands solemnly nearby, a bible in his hand and his cool gray eyes watchful of his flock. The sun bakes skin and earth unto a clay. The preacher vows that he will mold the clay as God molded Adam.
Billy approaches the preacher, his breeches and hat dusty with the work of the day. The young man’s eyes squint perpetually, the sun having cracked wrinkles prematurely beneath them. The young man’s bare torso is as gaunt as Christ on a Catholic crucifix.
“Preacher,” Billy says, “I wanted to apologize.”
“Oh?” the preacher says. “There is no need. That is why I baptize you every morning. Your sins are washed away.”
Billy lets his eyes drop to the sagebrush and other shrubs scattered across the expanse between himself and the mountain-hemmed horizon. The preacher seems taller than the mountains themselves, and looms over all things.
“It’s not my sins I’m worried about, preacher. It’s those of…of my wife.”
The preacher gazes toward the womenfolk as they busily pick green beans. Sarah stoops among them, her red hair ablaze in the afternoon sun.
“And how has Sarah trespassed against God?”
“Sarah avoids you, preacher,” Billy says. “She doesn’t take baptism every morning. And for that, I am sorry.”
“She will see the light,” the preacher says. “With time. She will make a goodly wife.”
Billy sighs and looks away. His voice is despondent. “I like to believe so, preacher. But…”
He falls to silence.
“But?” the preacher says.
“But I fear she is going astray,” Billy says, his voice trembling. “She…disappears sometimes. Goes missing. At night…”
“And you believe she is meeting with someone else among my flock?” the preacher says, his gray eyes grim.
“No, no!” Billy says, hastily. “I would never doubt my neighbor. I know we are all Faithful here.”
The preacher turns his gray eyes upon the young man, his gaze burnishing and unblinking; steadfast as the sun itself. “Then what do you suspect?”
Billy looks to his wife kneeling among the green beans, then lets his eyes drift away in defeated silence.
The preacher’s voice is softer.
“Billy? If you suspect something, you must speak it, if not to unburden yourself, then at least to unburden the air. Unspoken suspicions are phantoms that grow in power and darken all that they touch with their shadows.”
“I don’t know, preacher,” Billy says, heavily. “Maybe it is just a phantom in my head.”
The preacher nods. “Do you know what dispels phantoms?”
“What?” Billy says, looking up with expectant hope at the preacher.
“The sun,” the preacher says. “And honest labor beneath the sun.”
“You’re right, preacher,” Billy says. “I need to work off this restlessness.”
Billy returns to the crops, taking up a hoe and weeding alongside the other members of the flock. The preacher watches him for a long moment, then turns his eyes elsewhere. Like bloated deerflies his black pupils wander about slowly, restlessly, from person to person, coming, at length, to Billy’s wife, Sarah. Her hair is as blood among the beans. She glances up, notices the preacher’s gaze, and turns quickly away.

After dinner—when the long day has settled its ashes on the horizon—the preacher reads to his flock passages from his bible. He stands tall while they sit low before him, wet with the sweat of their labors as if they have only recently emerged from their baptism in the river.
“You will know them by their fruits,” the preacher reads. “Do men gather grapes from thornbushes or figs from thistles? Even so, every good tree bears good fruit, but a bad tree bears bad fruits…”
Billy listens attentively, but is clearly distressed. His wife is not beside him, nor among the congregation. The preacher notices this, too, but says nothing. He reads until the fire dies out in the West, then wishes his flock a good evening and the sleep of the righteous. His flock scatters to their various concerns; some to chores, others to conversation and innocent pastimes.
As the preacher walks toward his tent he is intercepted by the wife of one of his followers.
“Preacher, that was a fine sermon,” she says.
“The Lord saw fit to make it so,” the preacher says.
She follows him for some time, quietly.
“I was curious,” she says as he reaches his tent. “Why not baptize your flock at dusk, too, preacher? Why let their sins follow them into their dreams?”
The preacher does not face her. His tent is as tall as he is, and is arranged on tall wooden posts. He does not look at the young woman, even as she peers boldly up at him. He parts the flap of his tent, holding it with one hand while he stands erect, tall, like a dark sentinel whose dark hair reaches the darkening sky and its nebulous stars. His eyes do not meet her, even still.
“So you may see the fruits of your sins bloom in the night,” the preacher says. “So you may dream the guilt that you harvest from sins and learn from them the lessons upon waking, otherwise you will waken in the next life not to Heaven, but to the flaming orchard that is Hell.”
She snorts, then leaves. The preacher retires inside his tent.

The moon is pale as a salmon’s belly. The wolves howl in the distant mountains to welcome the moon. The fires die around the settlement and the flock retires to bed.
A voice calls faintly to the preacher from beyond his tent.
“Preacher? Preacher, can I have a word? Please?”
The preacher rises from bed, then goes quickly to the flap.
“Billy?” he says.
“Yes, preacher,” Billy says, glumly. “I am sorry, preacher.”
“Give me a moment, Billy, and I will be out.”
The preacher pulls on his long-johns and then his black robe. He regards his bed for a moment, in regret, then opens the flap and exits his tent. Billy’s face is distraught in the moonlight.
“Sarah has gone missing,” he says. “Preacher, you have to help me convince her to take to the Lord’s path again.”
“She is likely making night-soil,” the preacher says.
“I’d like to believe that, preacher,” Billy says. “But she has been gone for so long now.” His eyes are as wide as a salmon’s with distress. “I’m afraid she is lost to me.”
“You must believe in the Lord’s guidance,” the preacher says, sternly. “In all things His hand works His will.”
Billy hangs his head. “I know, preacher…I know…but…”
“Do not persist in this mistaken belief,” the preacher warns him. “Or it will unmake you and all of the hard work you have done for this refuge of souls.”
“I know…preacher…but Sarah…she’s been acting strange for so long now…”
The preacher’s tone is curt. “Do you not think the Lord capable of changing hearts?”
Tears glisten on Billy’s cheeks. He trembles with indecision and doubt. His voice cracks as he speaks. “I know, preacher, but what if she has turned her back on the Lord?”
“Your doubt in the Lord’s influence is a sin,” the preacher says. He shakes his head angrily, looking from Billy back to his tent. At length, he sighs in resignation. “Come. I will baptize you again. This time, perhaps, you will feel the power of Jesus Christ and, then, the truth of these petty frets will be laid bare before you.”
“Yes, preacher.”
The preacher leads Billy to the river, his shadowy figure seemingly as tall as an onyx steeple in the moonlight. The preacher steps into the shoals, gesturing for Billy to follow. Billy hesitates but a moment, but then, too, steps into the shoals, feeling the steady flow pull at his sorrow-stricken knees. He stumbles as if burdened beneath a great weight, but the preacher steadies him.
“Billy,” the preacher says. “Doubt in your wife is doubt in the love of the Lord. Do you ask forgiveness for this human failing?”
Billy, sobbing, nods. “Yes. Please, God, I ask for forgiveness!”
The preacher puts his large palm upon Billy’s forehead, and cradles his nape gently with his other hand. The preacher pauses, hearing two wolves howl together in the distance. He then continues.
“May yesterday’s sins be washed away in the blood of Jesus Christ.”
The preacher dips Billy backwards into the river. He waits a moment, says a short prayer, and twists his hands in opposite directions. This done, he trudges back to the bank and—robe weighed down with water—emerges from the river. Returning to his tent, he enters and takes off his wet robe, long-johns, and lays down next to the figure awaiting his return.
A new day dawns and Billy’s limp body is washed away by the river, his arms outspread as he floats along an easy flow mirroring the sky.

Caravaggio

The Taking Of Christ, by Caravaggio. Note the all-too-human despair in Christ’s face.

Dead, at last, in the Tuscany froth,
felled by the poison in the lead paints
which you lathered thickly, as if wroth
with your soul’s war of devils and saints;
ever on the run because your life
was as your paintings—passionate,
full of enemies, murder, and strife,
your soul made as if imps fashioned it
to earn their ladders out from the pits,
using wastrels for works iconic
while given to your violent fits:
your art and life were quite ironic.
With beggars and buggers you portrayed
the apostles and saints, your models
taken from the streets, their seedy trade
that of bathhouses and the brothels.
The shadows seeped darkly from your brush
to frame scant light and embolden the glow,
like whispers in a funeral hush,
your life a stark chiaroscuro.
You captured fear and doubt in the face
of Christ as he confronted his doom,
not as mere blasphemy, but to trace
the Doubt we must face within Death’s tomb.
You dove down into the pits of Hell
to ascend to Heaven from the bounce,
your life was an apostle’s tale:
sin and saint, poisoned paint, ounce for ounce.

“God-Given” Gifts

He visits museums and art galleries

to see the master works of sculptors and painters

(because they have a God-Given gift, too).

He goes to concert halls, opera houses, jazz clubs,

to hear deft musicians play songs

(because they have a God-Given gift, too).

He attends theaters and goes to the cinemas

to watch brilliant actors become other people

(because they have a God-Given gift, too).

He watches comedy shows and standup routines

to laugh at the witty jokes comedians tell

(because they have a God-Given gift, too).

He looks after the runaways, the prostitutes,

the transvestites and the vulnerable,

enticing them into his car, talking to them like

an old friend, kindly neighbor,

philanthropist in times of need,

taking them

somewhere remote, quiet, and alone,

and he bludgeons them, stabs them,

strangles them, rapes them, kills them,

chops up their bodies, takes

souvenirs

for his own home gallery,

disposes of the remains

and then he calls their relatives on the phone,

mocks them,

tortures them with his firsthand accounts,

relives his depravity through their fresh tears,

and he

leaves complacent clues at the scenes of his crimes

to taunt the cops,

watching the News media

to rejoice in his grand debut,

becoming famous as the anchors

talk him up to

Godzilla proportions of destruction,

and then, satisfied, he

lays low for a year,

waiting,

watching,

returning when the ruckus has subsided,

cultivating his celebrity once again

with a second season of murders,

elated as his alter-ego alias

passes along the lips of those who

pray against his trespasses,

and eventually he

betrays himself,

outs himself so he can be celebrated with

loathing, with infamy,

with international intrigue

through books, movies, cult status,

fan mail, declarations of love,

becoming a cultural phenomenon

as famous as Raphael or Elvis,

and all because

he has a God-Given gift, too.

The Lowly Holy

It is the thought of some people

that the grandest part of a church

is, in fact, the skyward steeple,

that tall symbol which does so perch

to watch over the flock each day

and to remind the flock of the cost

of salvation, and why they pray,

so their souls will not be thus lost;

yet, what would be any building

without support from pagan earth?

What foundation is unyielding

when winds test its structural worth?

Try to build the church upright, strong,

on the steeple so respected

and it tumbles at once, ere long

what little will be erected,

for the bedrock of all belief

(no matter how skyward-gazing)

requires the lowly earth beneath

to support a temple’s raising.