Why Poetry?

Because when poetry is good
it is as a fairy-haunted wood
full of shadows and foxfire
which burns in glade, thicket, and mire
and fireflies in hinted flashes
while, at a distance, lightning crashes
and rain coos its gentle music
along the canopy, its dew thick;
because the wood is known, yet wild
and I wander as an elfin child
in want of magic and insight
between the gloom and the bloom of light
that sparks with such breathless surprise
and wakes the mind as it blinds the eyes;
because it is, too, the splinter
caught neath the fingernail, and Winter
blowing cold through the frosted trees
to bring famine to all families,
and it is the pookah, so crazed
it trammels its rider till glazed,
it is the wendigo, hungry,
and the charlatan, his tongue free
to charm off the chastity belt
of the princess whose soft heart doth melt
at the gold song of a cuckoo
and then her own song: that of “boo-hoo…”
It is the dagger in the bed
as she cradles so gently his head,
it is the will o’ the wisp aglow
to lead astray another John Doe;
because it heals us when we die
each day of our lives, wondering Why?
And it resurrects us anew
when the woes of the world hack and hew
at our hearts, our bodies, our minds,
gutting us like fruits unto rinds;
it helps us to understand ourselves,
and our feelings, those tectonic shelves
hidden away in our secret depths
whose quakes come with our quickening breaths
while we seek the words of solace
to shelter against pains that toll us
in an old crumbling barn’s facade
against the wrath of a jilted god.
Because it is innate, this need;
as inborn as to breathe and bleed,
and we know no better way
to heat the night and to cool the day
with but few of the choicest words,
nor how better to compete with birds.

The Nihilist’s Delusion

Pardon my breaststroke
over oblivion,
but the undertow will take me
inevitably
in time,
not with my eager acceptance, thank you,
but with mortal fatigue,
meanwhile your undead body
bloat-floats complacently
over oblivion,
coming eventually
to ashen shores
so you may make
ash angels
after having razed the world
and all of its myriad “illusions”,
attempting to delight in the
ruination
of the
joys to be had
rather than throwing yourselves
upon the pyres
and giving resolution
where your philosophy’s resolution is due.
You wish to beat us down
with the bones of the departed,
striking our hopes with a cruel
tattoo of
“You too! You too!”
as if we were not aware
that even headstones crumble,
given time;
and, yes, we know that
we ride determinism’s
compulsive waves
along the continuum of life—
it is no hollowing revelation.
Excuse me,
but while you numbly nestle
into the shoreline’s ashes
after you have smote all meaning
in your estimation,
and while you stubbornly mutter
your mantra of “malignant uselessness”,
I cannot help but note the irony
of your continued existence;
for while you champion mass extinction,
the puppet does not burn himself
to cinders
to rescue himself from the supposed
“conspiracy against the human race”.
Actions speak louder than words,
and you seem quite disingenuous
while you gleefully lob
Molotov cocktails into the sea
like bottled letters
meant to reach distant shores.
It is an ironic joke, you know—
the one about the
self-professed nihilist
who refuted his own thesis
by showing up
in person
for the book signing.
Yes,
we are meat puppets
tangled up in our own strings,
but only you seem to be
high-strung about it.
Then again,
strumming other people’s
heart-strings
has always been lucrative,
even if money and ambition and
etcetera
further the delusion
you decry.
Perhaps you should use the ashes
as eyeliner
for your late-term
Emo phase?
Meanwhile,
I will make my sand castles
as I please.
Somehow I doubt your
ash castles will last long,
and, besides, wet ash
burns the hands
which shape it,
yet will never clean the hands
of the hypocrisy
that stain them.