Memorial Morning

Mists are memories of the lake,
shrouded ghosts breathing their cold sighs,
a silent sermon for dawn’s wake—
but the mists fade, soon, from our eyes.

A heron walks the water’s pane,
stepping lightly in the shallows
like a priest with perfect refrain
midst the holies and the hallows.

Birdsong trickles from the oak trees
and the hot sun hastens all play,
leaves stir with a warm-blooded breeze;
today moves on from yesterday.

The cold looking-glass of the lake
shows gold and green and white and blue;
a catfish leaps and colors break—
old memories give way to new.

Fearless

The robin swoops athwart the car,
flame-breasted as a shooting star,
and brushes faintly the windshield;
reckless or brave, it does not yield.

Would that I could live likewise strong,
even should it not be for long,
feathers brushing Death’s contoured plane,
fearless heart open to the pain.

A Tyger’s Contempt

Walking at noon, cane counting the meter
alongside a messy woods, the deadfall
hung like severed limbs that sway and teeter
as Spring blooms from within Winter’s dead hall.

The cat is a shadow between the trees,
sleekly stalking along a fallen limb,
the sun is high, the day golden, the breeze
steady and smooth, with a feline rhythm.

She must see mice creeping through last year’s leaves
as she hunkers down in a stance to pounce
like a gargoyle on cathedral eaves—
blood better than milk, to her, ounce for ounce.

Lithe, lethal, striped by shadows from the trees
as she leaps so high with her claws spread wide,
then clutching her prey, the mouse caught with ease,
an easy swagger in her Tyger stride.

And I hobble onward, after the kill,
seeing in my mind’s eye the acrobat
that sprung so lissome, though before so still,
mouse now in the praying paws of the cat.

The cat leaves me the head of the dead mouse
at my doorstep, her green eyes fixed on me
as I limp up the steps, into my house.
Is this a Tyger’s contempt? It may be…

The Yuletide Dragon

There is a dragon within the wind
whose bite cuts straight to the trembling bone,
and though no wounds remain aft to mend,
the bite lingers, still, like seeds deep sown.
The dragon seeks with its pallid eye
heartbeats by hearth, by fire, those warm lives
that flee from it as it roams nearby,
its keen unseen teeth like icy knives.

The backcloth sky is but harsh white wool
through which the bleak, blank sun often glows
cold, far-off, like a corpselight of Yule
when the biting air swells up and blows.
We are scorned by that distant-drawn sun
for yesterday’s oft ungrateful cheer,
our Summer arrogance now undone
by the Yule dragon’s icicle sneer.

Elder-aged, now, I lay all alone
in this Yuletide season of the cold
and try to sleep, but I toss and groan,
wondering how I became so old.
The dragon snorts, then groans, too, and sighs,
and licks at me through a frosted crack;
will I survive till the dragon dies,
just long enough for Spring to come back?

Death’s Indignity

This Winter passes on without a snow,
yet is cold as a corpse drained of its hues,
all is either black or brown or sallow;
a fell tumescence festers in its views.
Snowfall no longer drapes this scabrous land
like the white sheet spread with grief and pity,
nor is a shroud laid by a loving hand—
all is laid bare in Death’s indignity.

Total Acceptance

In such a car wreck as mine
you have no say-so, no line
to draw between what is now
and what will be, no know-how
or power will save you then,
nor have you say how or when;
nothing obeys your dire voice
and you truly have no choice,
but to accept what’s to come
in a state of peace, or numb,
or fearing it all, to fear
and to scream, though none will hear
whom may change what will be next,
what comes at the final text.
This is total acceptance,
this is mortality’s sense.
You cannot simply say “No”
when it is your time to go.

Duskdreams

I see it clear in my duskdreams,
a small house in a rural field,
gilt in Late Summer’s thinning beams;
atop rolling land, smoothly hilled.
There is no driveway to divide
the flowing billows of that place,
nor a house on any side;
nothing impugns that airy space.
A few trees may stand, here and there,
and creeks may trickle down below,
but that green-crested hill is bare
of all but the soft winds that blow.
A tomb-quiet cottage whereby
a man may retire in life’s Fall,
a refuge of silence where I
may enfold my heart, like a pall
and hear the voice of what may come,
that quiet herald of the dusk:
the shroud-shadows that may benumb
the mind and heart and earthly husk.
All around shall lay hills aflow
like the waves of a golden sea,
the descending hills all I’ll know
before the Winter comes for me.

Dedicated to Robert Frost

Some Poems

Mourning

For weeks the widower next door
has been blowing piles of leaves,
fresh-fallen leaves heavy with last night’s rains,
his leafblower like the dull bellow of an
imbecile giant
echoing through the woods that surround his house.
Before Autumn he was cutting down dead ash trees
with a high-pitched, bewailing chainsaw
all day, every day,
and using a hydraulic splitter
to create pagan mounds of split wood
for a fireplace he did not have.
At night I can see
a flashlight spearing the darkness
as he leads his yappy little dog
out for midnight potty,
the widower following the dog stiffly
as if half-embalmed in his old age;
or I hear his grunts and groans
as he climbs a ladder
in the blind, moonless night
to pull leaves out of his gutters
and toss them into the shadows.
Every day.
Every night.
The woods resound with his tearless sorrow.

Grow Up

My grandfather once told me
that I needed to “grow up”;
an old man obsessed with money,
obsessed with little slips of green-colored paper,
with numbers in a computer on a flickering screen
at the bank,
obsessed with stock market reports scrolling across
the bottom of a television feed
while chattering heads speak of
market volatility,
capital infusion,
inflation,
recession;
he said I needed to “grow up”
because make-believe slips of paper
were more important than anything else.
Humans do not shed delusions
as we get older,
we only prioritize them,
organize them into concerted conceits
to make us seem “grown up”,
to make ourselves believe that the numbers
are as substantial
as a brick to the face;
and not only does the emperor wear no clothes,
but he is not really an emperor,
no more than the little germ is
that he inhales into his lungs
to grow sick and die
while shamans from all over the country
sing prayers and dance and wail
and the decimal point moves left or right
like a marble between two children
who make-believe the marble to be
the earth rolling between the stars.

Autumn Sacrament

A circle of black buzzards
in a yellow roadside field,
a coven speaking no words
round a rabbit that was killed
by the combine’s heedless path
when the farmer reaped his corn;
behold the bleak aftermath:
a stark contrast in the morn.
Black-winged priests bow wrinkled heads
in a sallow field of waste,
the leaves fall—browns, silvers, reds;
death-borne colors that they taste
in the sacrament enjoined
in this season hued with death,
in the innocence purloined,
and the wind’s husk-rustling breath.

Sheathed In Silk

Unsuspected, the blade sheathed in soft silk,
as we blindfold ourselves with the attire
of kinder roles, as if kin to the ilk
of angels whose white wings often aspire
toward toplofty clouds, though we steal from
the calf its milk, or the lambkin its veal,
to render the comforts of our kingdom;
the wool, the cream, the calfskin, each filling meal.

How stained are our hands with the coins we snatch
from the pouch we slit in a neighbor’s throat,
that crimson pouch without zipper or patch,
which, once opened, now gapes as the scapegoat
sacrificed to devils for devotions
while we bleat like innocent lambs lined up
for slaughter—Bravo!  Our martyr notions
would have us, shameless, on such scapegoats sup!

But lo! The blade betrays its brutal truth,
reflecting killer in a crimson sheen,
the guilty stained with victim blood, forsooth,
and not so easy a thing to scrub clean,
nor does silk conceal the guilt wrought therefrom,
but bleeds through, leaking for all to see
lest the witness make blindfold wherefrom
anointed he, too, is likewise guilty.

Shun the shade! Forfeit the silk! Forsake yet
the dagger and rending the bloody purse!
Abandon evil, its comforts, forget
aught else lest you reap the tannery’s curse!
Such a world is for scapegraces alone
and its light illumes by human tallow
while the eyes flinch from what is thereby shown,
sheathed in silk alike to Justice, fallow.