Mariana’s Song

Another eve passed alone
and I ponder my cold bed,
the night air chilling to the bone,
the hearth of day dark…now dead.

Single candle, you burn low
on the window sill nearby,
your flame is small, your wax aflow
as the teardrops from an eye.

Do I fret the solitude
and its all-too-silent hours?
Do I linger in this dark mood
of a wine that quickly sours?

I take turns about my room
and recall your lips to mine;
and in that mournful midnight gloom
I can see the full moon shine.

It shines afar—ghostly wan
with the daylight it borrows
from a fickle sun that has gone
to happier tomorrows.

Away! Away! Flee you far
from whence you oft wished not leave;
you were as constant as a star—
now dew athwart spider-weave.

My looking-glass shines no more,
nor can it with thin moonbeams,
nor my eyes, nor my smile, nor your
gilded glamor in my dreams.

When I shine, now, I am pale
with the distant light of you,
you are memory of a tale
I tell myself: I love you.

Your scent no longer remains
nor shadows from your light;
I cannot clean these linen stains
of wine, and blood, red on white.

Yog-Sothoth Soaps

When you’re all dirty from your head to your toes
and you’re icky-sticky like crabby Mi-Gos,
don’t go insane within your jar-pickled brain,
use the soap that can clean any ichor stain,
use Yog-Sothoth Soaps, the pure soaps with the most,
the most bubble-action, like the Dunwich host,
the gate and the key are yours to a new clean,
the suds with eyeball buds to see in between
what is here and there, to see everywhere
there are mortal forms fertile and full of milk
wherefrom it may beget more of its same ilk.
That’s Yog-Sothoth Soaps, the special soaps aglow
with the dark eldritch truth you dare never know.

Yog-Sothoth Soaps are world-renowned for their effective consuming ability.  They can clean whole stockyards of cattle (and their handlers) within minutes, leaving the stockyards spotless. Their bioluminescent bubbles make it easier to see where the grime is, and the eyes can see the grime where you can’t (such as in the mirror). For best results feed yourself directly to the soap when it is at full froth. It will grow and consume the entire house, leaving it not just clean, but one with the ONE-IN-ALL, and all with the ALL-IN-ONE. Yog-Sothoth Soaps are also great for bathing and showering your tenuous mortal flesh. Ladies may light ritualistic candles and take a bath while at peak fertility, but neither is required. Birth control does not interfere with the effectiveness of the soap because Yog-Sothoth does not believe in contraception and cannot be dissuaded by paltry biological contrivances. You WILL bear the effervescent seed of Yog-Sothoth.

Y’AI ‘NG’NGAH, YOG-SOTHOTH H’EE-L’GEB F’AI THRODOG UAAAH!!!

As It Pleaseth Part 1

There was a cottage near icy waters
and in that cottage a family fair
with father, mother, and seven daughters
whose upstairs bedchamber was theirs to share.
The eldest daughter was of such an age
that she looked upon the neighbor lad’s heart
with the favor due, both proper and sage,
of a Christian virtue and reserved art.
All the town spoke of their marriage as though
it had been a prophecy long foretold,
and her preacher father deemed it just-so:
as right and goodly as if writ in gold.
All said the eldest was pureborn as Eve
before she had partaken from the fruit,
and said she was of nature as would leave
all others impoverished, stem to root.
But the eldest daughter dreamt otherwise,
seeing a face midst trees not far from there
and, at night, she flew across starry skies
to meet the man who beckoned her elsewhere.

So, one night, when all had fallen asleep
the eldest lay with her shift set aside,
she opened the window, without a peep,
and looked out upon the auroral tide.
Airclad in night clouds, and boldly leaping
from out of her cottage bedside window,
while nearby her young sisters were sleeping,
shoulder to shoulder, in a restful row,
the witch bore herself up, beyond the home
where her father had sought to teach her fear
so her soul would nest at night, never roam,
admonishing the lass year after year.
Yet, her preacher father could not forbid
the eddies of her heart that rose in gusts,
and she flew free as a soul gone morbid,
yet alive, burning pale and hot with lusts.
Over glen and vale, veiled in stars and shade,
she escaped the lectern’s brimstone bluster,
coming to a man camping in a glade
whose dark eyes gleamed with a goatish luster.
“Where fare you, my fair lithesome lass of night?
Where do you go, lass, mantled in the moon?”
She said, “To swim in the milk of moonlight,”
and into his arms she swept in a swoon.
As a hart in Winter’s rut he set to
and she welcomed the rhythm full and fine
while the winds rose up, the smoke black and blue,
and lips ripened sweet as grapes on the vine.
And, indeed, there was pain in their union,
and there was pleasure to be had betwixt,
much as grapes with stones ate in communion,
and a sweet wine can sicken if not mixed.
Yet, she had chosen him all on her own
and knew her preference better than most,
nor did she flinch, skin to skin, bone to bone,
nor from the coiled horns of her woodland host.
When their congress had swelled unto its end
they laid aside, the one near the other,
cooing like doves in a curious wind;
she said, “I am nothing like my mother.”
Her new lover laughed in sardonic glee
and stood up, stroking his grey satyr’s beard.
He said, “Your mother could oft leap a tree
to enjoin in my company.” He leered.
He then disappeared from the glowing  glade
and the fire went with him, nought but embers,
but he whispered low to her like a shade,
“It is not love, but it warms Decembers.”

Returning home, barefooted in the snow,
the young witch had much too much to regret,
and was surprised by the hearth’s sullen glow
through the pane—her father’s hard features set.
“Jezebel!” he shouted. “Harlot! You whore!”
He yanked her indoors, his fist lifted high
and struck her once, twice, many times the more
until black and blue—she thought she would die.
Crumbled on the floor, the witch could but weep
as her father read to her Bible verse,
meanwhile her sisters pretended to sleep
and her mother lamented her own curse.
“Now the works of the flesh are manifest,”
the patriarch quoted, his voice afire
like the hellmouth hearth as he beat his chest
and denounced daughter to a phantom choir.
“Think you well on your blackened heart,” he said,
“and recall the bruises I have dealt you
when next you dare wickedness out of bed,
for the next sin shall be your last to rue!”

He left his witch-daughter slumped on the floor
and returned to bed a beast beneath yoke,
and though his wife sighed, he would hear no more,
saying, “Speak not. My fists never misspoke.”
And thereby the grapes of his daughter’s lips
bled out to sour as vinegar in haste,
the wine spilling, aging, the bitter pips
expelled like her Bible lessons…a waste.
She rose up, at length, from the floor to stand
and tottered by the hearth, much like the flame
that swayed weakly in the hellmouth hearth, fanned
by the cold wind through the open door’s frame.
“Let only the sinless cast the first stone,”
she muttered to the shadows twisting round,
and then, listening to the cold wind moan,
she read her own blood, trickling on the ground,
and she saw a tooth within that puddle
and she knew it the pip from her own maw,
and she bethought how utter a muddle
her life was to follow any man’s law.

A Bit O’ This, Bit O’ Thine

Down by the frothy-fingered reach
of the greedy tides on the beach
lingering, lounging on the sand—
slimy, salty, seeking with hand
for what the sea has yet to take
with each moon-glossed, waking wave’s break…

Down, down, down where the waves all crash,
and beneath stars that glint and flash,
a shell breaches the sudsy surf,
dragged by a long arm on the turf,
an arm black like a seasnail’s skin
and slimy as a salesman’s grin.

The voice within the shell beckons
soft as the shoreline that reckons
the flotsam of the ships aground
on the reef and its heartbeat sound—
the desires that have been denied
by Life, by Love, by tempting tide.

And the voice laps oft at the edge
of the Otherworld, at that ledge
between the waking and the dream,
between daylight and how things seem
to the eye that sleeps otherwise
below the waves and moonlit skies.

The local pastor passes by
and gemstones ensorcel his eye…
The mayor glimpses shiny gold
and nascent greed grows overbold…
The wanton sees a dress to wear
like a jellyfish floating fair…
The widow hears the long-lost tune
of her husband who drowned last June…

Hear you that voice that calls to thee?
Hear you that sweet-tongued usury?
It is his claim he offers much
if you do not shrink from his touch
and give what he asks by his whim—
toe or tongue or a lithesome limb.
The cost is sunk, gone, like a hook
and the bait gone, too, oft mistook
as a thing fishermen can lose
without seeing the gain they choose.

“Tell me your wish, O friend of mine,
and I’ll retrieve from bitter brine,
whether gold bauble or glinting jewel
I shall bring up a gift of Yule.
All I ask, dearest friend of mine,
is a bit o’ this…bit o’ thine,
and that you see how fine a friend
I am to you unto the end.”

Refrain
Come! Follow my nautilus shell,
spiraling round and down and down,
and forfeit all you have to sell
for riches, rank, revenge, renown!
Come! Do not waste the tidal hour,
but bring forth what things you may trade
to sweeten a life grown so sour
within wreckage the tides have made!

The Poet In His Twilight Years

I have watched the black and white interviews
with the poet on his ramshackle farm,
quoting himself, word for word, his old muse
near-suicidal, disposed to self-harm,
and how dark are the later, silver years
when the laurels clutter the poet’s head;
it is enough to bring a man to tears,
if only allergies when eyes are red.
He writes so little verse, but acts a script
writ daily, with what life he may muster,
his mask such as is in a pharaoh’s crypt,
sometimes lacquered, sometimes just lackluster.

The Youthful Dead, And Useless Old Men

O, I hear the bean sidhe—she is shrieking
in schoolyard and school hall, the fell, bleak thing
sounding an alarm for the many deaths
when goodly youths shall draw their final breaths
while old men diddle and dither, at odds
with one another, and their bloodfed gods.
The gruesome Redcaps dip their dripping hats
into crimson puddles like vineyard vats
and a murder of crows descends anon
from the shoulders of grim-lipped Morrigan
and all youth is squandered in misty vale,
blooming anew with rot and maggots pale
till the ancient echoes of pagan song
be sated in surfeit of age-old wrong,
the wrong of wrongs such were long forgotten
when clans clashed fiercely, each chief besotten
with the blood-debts accrued in times before,
that fateful geas that binds forevermore.
Do nought for the dead but ponder and pray
and be grateful that the capricious Fae
demand no more than the youths hereby piled
for their burrows and mounds and woodlands wild,
for the Land of Youth needs our youth to bleed
ere Tir na nOg be a place old men heed
when nodding at their thrones as if glamored
and impotent, their weak hearts enamored
of the Cailleach, that old baleful elf
who enchants to think only of the self
as the long winter of old age reigns on
in those resentful of youth, their youth gone.
O, our country is as the headless wraith, the Dullahan, that runs forth with a faith
steeped in blood, cracking a whip made of spine
as if backbone is enough to consign
the peace hungered for in our times of grief,
times when blood-stained blade oft slips from the sheath…
but we’ve lost our heads, and the youth their lives,
as old men nod, ignoring Elphame tithes.

Fairy Fare

Bitcoin is alike to the gold
which Fairies gave in times of old,
a gleaming glam of coinage that
seems a lot, but is dandiprat.
It seems oh so like a godsend,
that crypto pot at rainbow’s end,
but when you take it to the bank
you find you lack all real-world rank
except, perhaps, as Lord of Fools
when coins and crowns and all jewels
recede to leaves and moss and stones
to weigh you down, and the Dow Jones.

Poetry Theory

I set up the scaffolding for the day
and it is sturdy, though a rambling mess,
and while others find fault, I must confess
that it matters not to me, anyway—
I will take it down once my house is up
and cast its skeleton into a shed
such as I would bury bones of the dead
before returning to my house to sup.

The Brass Squire, The Birch Witch

Aegis, the shield-hand, ventured on a quest
alongside his compeers, the Gran Stone squires,
each besotten with dreams to thus attest
the worth of their training, their hearts—the liars.

Twere young men spurred by the heat of their lungs
to ride Northeast and challenge the Black Knight,
all the while flapping their overproud tongues
and profiting on all peasants in sight.

But Aegis, the chaste, aspired to be more
than the snide squires with which he rode Northward,
sworn to the heroic tenets of yore,
of shield and sacrifice; not only sword.

So when an old hag pleaded for their aid
and his brethren mocked her bark-skinned face
and then left her in the woods, Aegis stayed;
the Brass Squire would deign to witness her case.

“The demoness stole my youth,” she complained,
“That demoness Vanus, her artful wiles
being vanity to all, her heart paned
with the glass to tempt all to their own guiles.”

Aegis knew the crone was a wily liar,
yet she seemed pitiful beneath her hood,
aggrieved as elders are ere they expire,
so he agreed to do as a man should.

He braved the birch woods and their mysteries,
seeking the glade-laid heart of the forest
while the Birch Witch recalled the histories
that the trees whispered far from the Nor’west.

“When in times when old was young, and death cried
as a newborn dropped from the cosmic cleft,
the World-Unfurled was neither far nor wide,
but was as a small peaceful patch of weft.

And no beast was a hunter, nor beast prey,
and the day stretched on with sunlight profound
nor darkened at the closing of the day,
but all was pure innocent, round and round.

For there were no beasts nor hearts nor desires
as the Weft lay smooth in its little square,
but soon life arose, from which there transpires
the wolf and the sheep, the fox and the hare.

And then I came, from up high, as an owl
to hunt amidst the moonlight and the birch,
screeching to silence even the wolf’s howl
and to make pellets of pelts from my perch.”

The Birch Witch laughed, then, and Aegis wondered
if he was a fool, her motives clearer,
but then came a glint of light that sundered
shadow from shadow—it was a mirror.

The demoness was tall, slender, a snake
with fine arms and legs and claws and a head
that looked almost womanly in its make,
but crowned in black horns, her smirking lips red.

But most striking of all was the gilt pane
embedded in her bark-scaled belly, fat,
for that mirror drew Aegis, as a rein,
and he could not but be spellbound by that.

Dismounting from his horse, Aegis stepped forth
with his sword forgotten in the saddle,
meanwhile the witch watched him, the haggard dwarf
warning that he should not let his wits addle.

Vanus, the demoness, spoke thereafter:
“Gaze, gentle squire, and witness thy desire,
for it is what thou most wish.” Her laughter
resounded through the glade in a great gyre.

In the molten mirror the squire beheld
the fancies of an ideal come to be,
but it was the deceit with which she veiled
the truth of his unconfessed vanity.

Aegis saw himself ornate with festoons,
gloried by men and women, one and all,
and beyond, his tale told on golden runes:
a song in every court and mead hall.

But the demoness lied, he knew too well,
for she smirked as oft the cruel squires did
just before they took to some fancy fell
and did what horrors honor should forbid.

Wroth, then, with himself and the other squires,
the Brass Squire lifted shield against the glass
fending off reflections of his desires
and smashing his dreams with his turtled brass.

The demoness screamed, as did her slayer,
for her demonic blood surged to scald skin,
melting his young face, layer by layer,
until he swooned unto oblivion.

When he awoke later, it was to pain,
his face a cocoon of loose cloth wrappings
while the Birch Witch advised him to refrain.
She said, “You’re not the strongest of saplings.”

She tended him for a time, with great care,
applying honey and sap to his face,
but though stronger, he was no longer fair,
nor had she regained her youth in its place.

“We both of us lost,” she told him, weeping,
“but you lost most of all, my poor young man.”
Aegis said nought for a long time, keeping
his griefs to himself, if but for a span.

“I am free,” he said, “free from dreams now past,
and though it aches alike my face, I yet
seek to be as shield made in fire to last,
branded to remind me lest I forget.

I am free to do as duty demands,
free from the temptations that slough like skin
peeled by your tender, careful hands, such hands
that could have slain me in the chance given.”

Then the Birch Witch and the Brass Squire both smiled,
smiles pained by the scars of Time and of War,
seeing one another true, unbeguiled,
and journeyed forth into the lands of yore.