I saw, too, that her hands clenched her flowery robe among her trembling fingers. I thought her fingers restless. Their lissome loveliness provoked much mischief in my heart.
“Should your fingers be restless for further play,” I said, “I should like to volunteer myself as the instrument of your joy.”
“My fingers are taloned,” she said, fluttering her fingers so that I might see their nails. “They will not stop for blood or bone or scream or plea.” She sighed. “Should you take them as wives to your fingers, however, they would serve as ever it might please you.”
“But I will not sell a false hope for such a delightful service,” I said, “no more than a kappa will sell his water to a thirsty man. I cannot marry you, as I have said before. Should not my honesty attest to some honor in my soul? I have ever been a servant of the truth, even when concerning you.”
“A poet’s truth always implies promises never fulfilled,” she said, “even when speaking of honor.”
I watched her leave, and not solely to look for a fox’s tail hidden beneath her kimono. Her stride beguiled, too, as did so many other aspects of her. Yet, I knew that wherever she walked, and however graceful, it was a path not my own. I walked a path plotted on paper and shadowed by ink. How else would I rival or surpass that famous poet, Matsuo Basho? His inky shadow obscured me from the fame I deserved.
I could not escape Lady Utano’s song. It was as a small centipede spiraling in my ear, gnawing at my mind. Thus I welcomed the distraction that Lord Gou offered later that evening.
“Come, let us think of other things,” he said. “We have more entertainment for tonight. Something special! Something enchanting!”
Lord Gou seemed quite pleased and excited. Perhaps the entertainment awaiting us was special, or perhaps he was merely relieved at having his house purified. Perhaps both. I followed his entourage into the main hall where his long, low table resided. At the head of the room was something new: a booth of lacquered wood, a red curtain drawn about it. It seemed we were to be audience to a Bunraku show. This diversion was at least worthwhile, I thought.
Lord Gou bid us sit. The musician took up a shamisen. Evidently he would be providing the dramatic atmosphere for the performance.
“Seat yourselves, my friends,” Lord Gou said. “The show begins soon!”
The show began immediately, and without further ado. Two puppets rose from below the curtained booth. One was a man and one was a woman. The man greeted the woman with a bow, and she bowed to him. He then came forward as the shamisen was struck affectionately. She tried to turn away, but the man bowed to her again and she simply demurred, then invited him to walk beside her. They strolled together as the music was struck placidly, like the falling of easy rain on a lake. The two puppets turned to one another and seemingly kissed. A beautiful note sounded, punctuating their moment with the grace of Heaven.
Suddenly, another puppet appeared. He wore a lavish kimono and a dark beard. A harsh note was struck upon the shamisen and several other puppets appeared with swords. There were so many that I marveled that so many puppeteers should not only inhabit such a small booth, but that they should do so while so adroitly manipulating their puppets. I fain believed that Thousand-Armed Kannon himself had to be squatting in that booth, arraying the simulacra of life.
The puppet woman was taken to the puppet man with the beard and he pressed himself unwantedly upon her. Her lover attempted to intervene, but was cut down by the warriors amidst discordant twanging of the shamisen. I looked at the musician, wondering if he was suffering a malady or paroxysm of the fingers. But his hands moved not at all, gnarled with terror as the shamisen’s strings trembled and shook of their own accord. I then noticed that Lord Gou had risen to his feet, livid with confounded rage.
“How dare you mock me in my own home!” he roared. “How dare you question my authority!”
He rushed forward and tore aside the puppet curtain. The puppets collapsed immediately through the air and fell limp upon the floor, the booth empty. Upon seeing this, Lord Gou fell back with a startled cry and the diviner rushed forward. Lord Gou quivered upon the floor, clutching at the diviner’s robe.
“Deliver me from these foul spirits!” our host pleaded.
The commotion drew the servants of the household into the main hall, followed by the true puppeteers. All were baffled and confused, including myself. Upon seeing the puppeteers, Lord Gou rose to his feet, the wrath in his face blazing and his teeth gnashing within his beard.
“You! You seek to make a fool of me!” He drew his tanto, ready to spill blood. “I will castrate the lot of you and throw your manhoods to the crows!”
The puppeteers ran from the room in a clumsy rush. Lady Utano intervened on their behalf, gliding forward into a low bow. She was like a prayer hushing a violent storm.
“My lord,” she said, “they are not the source of this mischief. They have been telling me of their travel from Kyoto.”
“I agree with the Lady,” the yin-yang diviner said. “This is the work of spirits. Yokai, possibly.”
Lord Gou sheathed his blade once again, turning upon the diviner with a snarl.
“And whose fault is that?” he said. “You were supposed to purify my home!”
“There is a darker stain on this estate than I realized,” he said. “I will resume my rituals immediately.”
Lord Gou merely grunted, then turned upon the musician. “Cease your noise, imbecile or I will have your fingers severed one by one and your tongue…” He did not elaborate on the punishment, for his last word fell from his gawping mouth like a dead bird. He saw that the musician had tossed the shamisen from himself and that the instrument played itself as it lay untouched on the floor. It played a dreadful discord before its noise died abruptly with the snapping of its strings.
I had a terrible dream about puppets. They pirouetted without hands in a great darkness. Men, women, children— all dancing as they floated in the air. Then, gradually, I realized they did have a master that manipulated them all, and that master gradually formed from moonlight within the darkness.
But before I could see the master I woke. It was late in the night, or perhaps early in the morning, just before the dew could form. The room seemed crowded with invisible specters, all watching me. I told myself it was a ridiculous sensation born of childish fears, but could not slip from its clammy control. Rising, I went outdoors, into the garden, to pace a bit and to breathe the calming open air.
The man was on the moon bridge again, staring into the moon pond. He waved to me and I went to him, not really knowing why.
“Unable to sleep,” he said. “We share the same affliction. Doomed without rest and without end.”
His back was to the moonlight, and so his face was black shadow. His robe was richly red. It must have cost him much to have such a robe.
“Perhaps we should drink more,” I suggested, “or perhaps we should drink less.”
“Diviner,” he said, “you are not enjoying your stay in Lord Gou’s hospitality. Most would question why the navel of paradise should chafe so.”
“I am not a diviner,” I said, without much feeling. “There are kami haunting this place. But it is no matter. The diviner— the true diviner—is working to purify these grounds.”
The ghost was silent a while, staring into the moon pond. “Do not trust that diviner,” he said. “He is not what he seems.”
“What do you mean?” I said.
Before the man could answer me I heard a great flapping of wings near the roof of the manor. I turned and glimpsed a shadowy bird passing astride the air. I could not tell what kind of bird it was, nor its size. It plunged out of sight. Returning my attention to the man on the bridge, I found that he had gone. I dropped my eyes to the moon pond, among the moon and carp and lotuses. I saw no one there, either. Feeling even more greatly unnerved, I returned to my room and attempted sleep once again. It did not come willingly, but had to be wrestled for obedience. It was a losing battle for me, as well as it.
I had not slept well. My grogginess clung to me like a goblin. I tried to shake it only to find that it had crawled in behind my eyes. I did not attempt any of the Lotus Sutra that day, knowing such an endeavor was doomed from the start. Instead, I drank tea and sat beneath a red flowering plum tree, away from everyone. Lord Gou’s servants sought to better my health with remedial herbs and honey. I was informed that Lord Gou himself had suffered a bout of ill health also and was now resting in his room, tended by the yin-yang diviner. The musician and the minister seemed of adequate haleness, for the former played his music incessantly near the moon pond and the latter enjoyed the company of many prostitutes. I did not know which — the imbecilically joyful music or the oleaginous laughter of the minister while the whores giggled indulgently. I swooned with fatigue and what grew to become a fever.
I did not remember coming to my room, but there I lay, on the floor with a pillow under my head and a kimono draped over me. The silk was soft, but it burned like fire. Someone knelt next to me, my eyes too blurry to see their face clearly. To see was to hurt. To think was to hurt. To exist was to hurt. The Buddha was right: existence is pain and sorrow.
A breath passed across my face, sweet as plums.
“The flames of Hell can be felt in this life,” she said, placing a cool hand over my hot forehead. “We must not fan them with sin and vice or Hell will come for us before we can atone.”
“Utano,” I said.
“Rest,” she said. She laid a moist cloth over my brow and then sang a song. Even in my agony her song was beautiful. Her song was restive sleep after a grievous journey.
“The Wishing Jewel you gave to me
was as dew upon the tree
and it shines with a light all its own,
but now I walk alone—alone.
“The Jewel you gave fell with the wind
through leaves at our Summer’s end,
and though I hold it, the winds still moan
while I walk on, alone—alone.
“Foxes laugh among sunshowers,
haunting pagoda towers,
and while my heart becomes as a stone
I walk this night alone— alone.
“The Jewel is hot as a fresh tear,
yet, lover, you come not near.
Willful fox! You refuse to atone,
so I walk forever alone…”
I fell asleep in the lull of her lilting voice.
I heard wings—huge wings—thrashing the air. Something heavy landed upon the roof, and then leapt down into the gardens. A large shadow, like a bird, stalked the screen door, pacing restlessly.
“I smell death,” it said with a raspy voice. “So much delicious death in this estate. My brethren will wish to roost here, in time. But they indulge the great feast of the famine. So many starved dead— what good is picking their bones? Better for fat, juicy souls glutted on decadence. No piety. No blessings to choke you.”
The creature laughed, squawking like a crow, and then walked away. I was overcome with fear and fever and fainted beneath my fatigue.
Breath wafted over me like charnel smoke over a battlefield. It stank of death and hopelessness. I dared not open my eyes.
“I will attend the poet,” said a voice.
“I am attending him,” Lady Utano said.
“But my lady, it is not proper,” the diviner said. “Your uncle objects mightily…”
“He would object more mightily to a death in his home,” Lady Utano said. “And he has improved greatly in my care.”
“A sick man must be tended by one who knows the spirit realm and who can defend him from its malicious forces.”
“I am the only malicious force this man needs to fear,” Lady Utano said.
“I…see,” said the diviner.
I succumbed to sleep once more.
My fever broke, in time, and a new day was heralded by birdsong. Drenched in sweat, I sat up. Lady Utano’s kimono still remained upon me. The Lady herself sipped tea at my table. She wore only her white undergarments. My hand reached for her, unconsciously, and she offered me a cup of tea instead. I took it tenderly and sipped as if it was her bare breast. My thirst did not abate for many cups.
“You are so false, Toshiyuki,” she said. “I wonder if you also keep a little bottle of tears up your sleeves when encountering wiser women who are warier of a man’s sweet lies.”
“Only a bottle of ink,” I said flippantly.
“Then perhaps you should mark your face as becomes you: with whiskers of a dishonest kitsune. Your shadow is vulpine, Toshiyuki. Either you are possessed by a yako or you are a fox.”
“I have been told that I am a diviner,” I said. I laughed weakly, and it hurt as it rattled out of my chest. “Perhaps my mother was a tenko. I am of a vulpine nature, admittedly.”
“And my uncle is like the ocean,” she said. “Often even when calm there is a legion of sea giants warring below the surface. Imagine what might happen if he were to learn of our love?”
“This is not love,” I said. “It is a delightful dalliance. Nothing more. Nor did I promise more.”
Sometimes I felt as a Bunraku puppet in a theater, performing in accordance with the will of other forces. When Lord Gou summoned me to the main hall I thought it was to congratulate me on my recovery. Instead, he did not seem to know of my illness, but rather had invited me to witness a troupe of dancers from Kyoto that had come to perform for his patronage.
“Come, Toshiyuki!” he said, hailing me as I entered. “We have been awaiting you! A fine entertainment awaits us tonight!”
I took my seat at my host’s long, low table. There awaited me— as there awaited everyone at the table—a cup which smelled of strange earthly odors. I lifted the cup tenderly, for it was a cup of some fine resplendence. Made of smooth porcelain, it was white and had kanji upon its sides which read “remember”. I believed it was of the saikai type of pottery. Saikai meant “reunion”, but why such exquisite cups were called by such a name I did not know. As for the liquid within it, I knew even less.
“What is this?” I asked. “It is not sake.”
“No, it is not sake,” said the diviner, smiling. His rotten-egg face wrinkled terribly and his voice croaked harshly. No doubt the many prayers and cleansing rituals had strained it hoarse. “It is a special drink made from maitake mushrooms. I made it for this occasion. It seemed fitting, for why should we not partake of the ‘dancing’ mushrooms while watching lovely creatures engage in dance?”
“Exactly so!” Lord Gou said, raising his cup and draining it to the dregs. “Let us enjoy in all senses this entertainment I have arranged this night!”
The minister raised his own cup in agreement, though he could not drain his own cup as well as Lord Gou. He choked and coughed halfway through the quaffing of it. The musician drank his steadily, playing his hichiriki between sips.
Merriment was all well and good, but nobler works required my attention now that I had recovered my health. Kabukimono I was, but decadence chafes without hard work and sweat to lubricate the leisure. I resented the squandering of this time.
Yet, I knew better than to be an ungrateful guest, insomuch as could be perceived. So, I sipped at the maitake drink. It was not so sweet as it was salty. I managed to drink half of the cup before the dancers gathered at the head of the main hall, preparing to showcase their talents. They wore yukatas, for to dance in this Summer heat was to invite suffering. The women also held pretty little fans in their hands, masking themselves occasionally with them as they spun and gestured to the piping of flutes and the beating of drums.
And they danced well. As I drank I watched the robed figures perform. It seemed to be a Bon Odori dance. I had seen it performed once during the Obon festival in the Ugo province.
Lord Gou growled suddenly, and slammed his fist upon the table. “I did what was within my right!” he said. “The two of them belonged to me! I am the governor of this region!”
The minister swooned, smiling laxly like a drunkard. “I knew you were a kitsune, my love, but I do not care. I love you as deeply as the cherry blossoms love the winds. I tremble at your merest movement, your gentlest sigh…”
The musician had abandoned playing his hichiriki, and was instead arguing with someone who was not present beside him. “You may have taught me the song, but I brought it to life. What good is a thought of music until you breathe life into it? I breathe life into all of the songs you killed with your ineptness…”
It was all so bizarre. They sat at the table, yet seemed to be far away with their souls. Suddenly, the others vanished— as did the main hall, the table, and the dancers. I was standing in a hall, slowly walking down its corridor. I saw my father. He looked sad and he shook his head. I tried to ask him what was wrong, why he was ashamed, and he gestured to the hall beyond him. I followed it, coming to a lover of mine. She looked brokenhearted. I tried to explain to her that I was fated for things greater than being a husband to a courtesan. Many other lovers came, one after the other. They were a hall of Noh masks— some sad, some demonic. They accused me silently with their eyes. Flames spewed from their mouths and the vision lifted.
I was once again in the main hall, and I saw the dancers spinning in harmony with each other like Karakuri machines. The drums continued to beat and the flutes continued to pipe. The old diviner was staring at me with his beady eyes. A faint smile touched his lips and I felt angry, and afraid.
Lord Gou stood, then, and went to the dancers, joining them.
“Let us all dance!” he exclaimed, mimicking the graceful movements of the dancers with his own clumsy, heavy-footed parody. “Dance for your ancestors! Dance with a light soul and a full belly!”
The minister rose and joined the dance, grinning as if he was dancing with his kitsune bride amidst sun-showers. The musician staggered upright and stumbled into the troupe also, dancing vengefully as if to spite the apparition with which he was formerly arguing. The last to join in the dancing was the yin-yang diviner, cawing with laughter. I watched them all dance, wanting to quit their company and retire to my quiet room. As I stood to leave I noticed that there was something wrong with the shadows of those dancing. The dancers had shadows shaped like small animals spread upon the floor. Badgers and raccoons and monkeys. Lord Gou’s shadow, meanwhile, reeled in the form of a great bull as he twirled and gestured. But I had had too much maitake to drink, and still felt the weakness of the fever. Discreetly I returned to my room while my host danced a madness among his honored guests. The festivities disagreed with me.
I dreamt that night of Mt. Asama erupting into the sky. Its mouth expelled a fire-froth that spilled over all lands, from sea to sea, and the black smoke became a million crows while the liquid-fire marched forth as red-faced Onis. They conquered the world, stamping underfoot all beauty there was to behold. It was an army of land and air come to blight the earth with death and corruption.