A trellis entwined with Virginia creeper
beneath a bower of Magnolias in bloom,
and a cold stone bench, upon which a breathless sleeper
lies in gossamers woven round from the moon’s loom.
Lights, like fireflies, on the Mississippi River
and hobnobbing drinkers, each kissing wine-stained glass
while a socialite with pearls and curls is all aquiver
as a man with a black cravat exudes such class.
They abscond to a yard of dew-bejeweled tulips,
which, he claims, is part of his grand manor estate,
and while he lovingly pets her petticoat-petaled hips,
he tells her that their meeting is but divine fate.
She swoons with the climax of their moonlit meeting
and lies upon the bench, given up to all things
while he walks to the port city dock, thereupon greeting
his fellow passengers as the steamboat bell rings.
He glances back at the Creole city, so bright
with glowing globes festooned all along its French streets,
and fingers the pearls in his pockets, so smooth and so white
like the skin of a woman beneath parting pleats.
Standing on deck, he meets a lovely Southern belle
and she asks what he likes most about steamboat life.
He smiles, charmingly, and he bows, saying, “Mademoiselle,
I love plucking flowers at night,”—his grin a knife.